Elias Isquith, writing in The Atlantic, on Hollywood's small-"c" conservative bias:
It's individuals, and individuals alone, who matter. In Zero Dark Thirty, an isolated, single-minded CIA agent—a loner that no one believes in—is the chief reason the butcher of 9/11 is lost to time at the bottom of the sea. In Lincoln, it's only through the singular grace, wisdom, and humanity of the 16th president that the greatest evil in American history, an evil few but he sees with true clarity, is finally put to rest. And in The Dark Knight Rises, Gotham is saved by the orphan Bruce Wayne as the pariah Batman. These people do great things. And they do them alone. This is Hollywood's—and indeed, much of entertainment's—enduring, conservative belief. But it's less ideology than business imperative. Recall the feeling you had the last time you walked out of a really good blockbuster. You probably felt elated, invigorated, like you could master the world all by yourself. It's a good feeling, and it's happening right now at a theater near you.