Zack Snyder differs from Burroughs, Noe and Passolini in so far as his depictions of the transgressive, the anti-social and the fetishistic are presented in an entirely sympathetic light. Not only does Snyder fail to condemn Leonidas or Rorschach, he actually builds films around them that make them look like deeply moral and heroic men. Snyder’s orgasm death gimmick is not deployed as a form of social criticism, it is deployed in order to pander to audiences with seemingly no higher artistic desire than to entertain and amuse. Zack Snyder makes films that make us feel good about the absolute worst in us.
I've never given this much thought to Zack Snyder or his films, but maybe I should? [Adds "Zack Snyder Marathon" to calendar]