Blown Away (feat. Clare Malone)

What do you get when you mix Boston, bad accents and a lot of explosions? The 1994 thriller “Blown Away” starring Jeff Bridges and Tommy Lee Jones! Jamelle and John are joined by Clare Malone of The New Yorker to talk Irish-American identity, Irish nationalism, the racial politics of Boston and much, much more.

Connor Lynch produced this episode. Artwork by Rachel Eck.

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The Third Man (PATREON PREVIEW)

Hello listeners! This on the Patreon week we continued our journey into the work of Graham Greene and Carol Reed with the 1949 British noir “The Third Man.” It suffices to say that this is one of the most famous and acclaimed movies of all time, so Jamelle and John had a lot to say about its production, its writing and its themes. They also spoke a great deal about Orson Welles, the politics of postwar Europe, existentialism, and the career of star Joseph Cotten.

Connor Lynch produced this episode. Artwork by Rachel Eck.

To hear the full episode, subscribe to the Unclear and Present Patreon and get access to our show on the films (and television) of the Cold War, as well special mailbag episodes, monthly entry into a movie raffle, and whatever else we can think of.

On Deadly Ground

In this week’s episode, Jamelle and John scrape the bottom of the cinematic barrel with the 1994 environmentalist action flick, “On Deadly Ground,” directed by and starring Steven Seagall. It’s not a good movie, but they had a good conversation covering Seagall’s political trajectory, right-wing misogyny, and the psychological origins of authoritarian politics.

Connor Lynch produced this episode. Artwork by Rachel Eck.

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Our Man in Havana (PATREON PREVIEW)

For this week’s Patreon episode, Jamelle and John cover the 1959 film “Our Man in Havana,” an adaptation of a 1958 Graham Greene novel by the same name. We talk Graham Greene, director Carol Reed, and Alec Guinness, the star, as well as esoteric topics like motivated reasoning, the nature of intelligence work, and the power and peril of propaganda. We also, as always, looked at the news for the day the film was released, December 30, 1959.

Connor Lynch produced this episode. Artwork by Rachel Eck.

To hear the full episode, subscribe to the Unclear and Present Patreon and get access to our show on the films (and television) of the Cold War, as well special mailbag episodes, monthly entry into a movie raffle, and whatever else we can think of.

The Pelican Brief (feat. Jay Willis)

In this week’s episode of Unclear and Present Danger, Jamelle, John and special guest Jay Willis of Balls and Strikes discuss the 1993 adaptation of John Grisham’s “The Pelican Brief,” and ask whether anything about the movie’s plot actually makes any sense. They also discuss the early days of the conservative legal movement, the political hegemony of capital, and Stanley Tucci.

Connor Lynch produced this episode. Artwork by Rachel Eck.

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And join the Unclear and Present Patreon! For just $5 a month, patrons get access to a bonus show on the films of the Cold War, and much, much more. Last week, we covered the 1979 BBC adaptation of “Tinker Tailor Soldier Spy.”

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Tinker Tailor Soldier Spy (PATREON PREVIEW)

We have another Patreon episode for you and this week, it’s a John favorite: the 1979 BBC adaptation of “Tinker Tailor Soldier Spy.” We go deep into the character of George Smiley, John le Carre’s critique of the British ruling class, and the idea of national “decadence.” Jamelle also spends a little time talking about the American constitutional system, so it’s basically an episode where everyone is on brand.

Connor Lynch produced this episode. Artwork by Rachel Eck.

To hear the full episode, subscribe to the Unclear and Present Patreon and get access to our show on the films (and television) of the Cold War, as well special mailbag episodes, monthly entry into a movie raffle, and whatever else we can think of.

The Fugitive (feat. Michael Liroff)

Jamelle and John are joined by Michael Liroff of the Five Four podcast to discuss “The Fugitive,” a masterpiece of Dad cinema. They talk the liberal politics of the 1990s, the surprisingly nuanced racial politics of the film, and complain, as always, that they just don’t make them like this anymore.

Connor Lynch produced this episode. Artwork by Rachel Eck.

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The Hunt for Red October (Take Two)

Episode 26 — The Hunt for Red October

In this one year anniversary episode of Unclear and Present Danger, Jamelle and John return to the film that started it all, “The Hunt for Red October.” They discuss the film as an elegy for the Cold War era, and further explore the dilemma of American power and identity in the post-Soviet world.

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The Firm

In this episode of Unclear and Present Danger, John and Jamelle discuss the 1993 John Grisham film adaptation “The Firm.” They use the genre of the legal thriller to discuss the legalization of American life in the 1990s and the turn from politics in crucible of history to management at its putative end. They also talk about Wilford Brimley, so there’s that too.

Connor Lynch produced this episode. Artwork by Rachel Eck.

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Next time on Unclear and Present Danger…Jamelle and John return to “The Hunt for Red October.”

Passenger 57 (feat. Amanda Smith)

In this episode of Unclear and Present Danger, Jamelle and John are joined by Amanda Smith of the Disaster Girls podcast to discuss the Wesley Snipes vehicle “Passenger 57,” which features an extremely charismatic Snipes facing off against an off-band Hannibal Lecter and also, casual racism.

Connor Lynch produced this episode. Artwork by Rachel Eck.

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UnclearPod

John Ganz

Jamelle Bouie

Amanda Smith

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New York Times front-page for November 6, 1992

Interview with Stewart Raffill, one of the writers for Passenger 57

Disaster Girls podcast

White Sands

Somehow, a crime thriller starring Willem Dafoe, Mary Elizabeth Mastrantonio and Mickey Rourke set in the New Mexico desert isn’t especially good. Still, the 1992 film “White Sands” gave Jamelle and John a little bit to discuss for this week’s episode of Unclear and Present Danger.

Connor Lynch produced this episode. Artwork by Rachel Eck.

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Deep Cover (feat. Adam Serwer)

Jamelle, John and special guest Adam Serwer of The Atlantic watch one of the great crime movies of the 1990s — Bill Duke’s “Deep Cover” — and talk about post-Cold War anxiety over the drug trade, Black “tough on crime” politics, and the war on drugs.

Connor Lynch produced this episode. Artwork by Rachel Eck.

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Die Hard 2: Die Harder

Welcome to episode 22 of Unclear and Present Danger. This week, we watched “Die Hard 2: Die Harder,” the sequel — of course — to “Die Hard.” In this conversation, Jamelle and John talk the 1990s panic over violence in pop culture, the working-class qualities of John McClane, and the lost days of American suspicion of, even hostility to, the military.

Connor Lynch produced this episode. Artwork by Rachel Eck.

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Rising Sun

On episode 21 of Unclear and Present Danger, Jamelle and John discuss the horrifically problematic 1993 thriller “Rising Sun” starring Wesley Snipes and Sean Connery. It’s lurid, salacious and incredibly racist, which makes it fertile ground for a discussion of the anti-Japanese panic of the late 1980s and early 1990s. Additional topics include Wesley Snipes' career, Michael Crighton’s whole deal, and the question of whether it is even possible to forge a unifying national narrative.

Connor Lynch produced this episode. Artwork by Rachel Eck.

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In the Line of Fire

In this, our twentieth episode of Unclear and Present Danger, Jamelle and John watched the hit 1993 thriller “In the Line of Fire,” directed by Wolfgang Petersen and starring Clint Eastwood, Rene Russo and John Malkovich. They discuss Eastwood’s career and star persona, the anti-political apathy of the 1990s, and the “end of history” vibes of Eastwood and Malkovich’s characters.

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In the Line of Duty: Ambush in Waco

For episode 19 of Unclear and Present Danger, Jamelle and John watch “In the Line of Duty: Ambush in Waco,” a ripped-from-the-headlines-style movie about the siege at Waco. They use the movie as an occasion to discuss right-wing extremism, abuse and overreach among federal law enforcement, and how both played themselves out in American culture.

Connor Lynch produced this episode. Artwork by Rachel Eck.

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Falling Down

Jamelle, for one, has been very excited about this episode, an analysis of Joel Schumacher’s 1993 film “Falling Down.” In the conversation, Jamelle and John discuss the populist moment of the early 1990s, the discourse around the “angry white man,” the class politics (or lack thereof) of the film, and the erosion of the post-war anti-fascist consensus.

Connor Lynch produced this episode. Artwork by Rachel Eck.

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Sniper

In this episode of Unclear and President Danger, Jamelle and John discuss “Sniper,” a delightful piece of genre trash that also happens to speak to some of the paranoias and prejudices of the era. To that point, their conversation veers from the anti-Bill Clinton conspiracy theories of the early 1990s to the militia aesthetic that emerged later in the decade.

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Under Siege

For episode 16 of Unclear and Present Danger, Jamelle and John discuss “Under Siege,” 1992 action thriller directed by Andrew Davis and starring Steven Seagal in what is clearly his best role. We talk about Seagal’s career, Hollywood’s view of the American military in this era of filmmaking, and the strange, almost left-wing politics of this movie in particular. Jamelle also attempts a bad impression of Seagal. It’s a good time.

“Under Siege” is available for rent on Amazon and iTunes.

Our logo, as always, is courtesy of the great Rachel Eck, who you can find on Instagram.

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Sneakers (feat. Mike Duncan)

On episode 15 of Unclear and Present Danger, we are joined by Mike Duncan (Revolutions podcast, “Hero of Two Worlds: The Marquis de Lafayette in the Age of Revolution”) to discuss the delightful 1992 thriller Sneakers. It’s a movie about a tech mogul who hopes to stage an information revolution and, not surprisingly, John, Jamelle and Mike discuss the internet, social revolutions, and the challenge of building something out of nothing.

Our logo, as always, is courtesy of the great Rachel Eck, who you can find on Instagram.

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