The Net (feat. Josie Duffy Rice)

June 28, 2023 by Jamelle Bouie

In this week’s episode of Unclear and Present Danger, Jamelle and John are joined by the Josie Duffy Rice of the Unreformed podcast to discuss “The Net,” a 1995 techno-thriller, directed by Irwin Winkler and starring Sandra Bullock, Jeremy Northam and Dennis Miller. The Net was one of several films in a mini-genre that you can describe as, “What if computer technology was used for evil?” Contemporaries include Hackers and Enemy of the State, both films we will eventually cover on this podcast.

Here is a brief plot synopsis:

Angela Bennett is a freelance software engineer who lives in a world of computer technology. When a cyber friend asks Bennett to debug a new game, she inadvertently becomes involved in a conspiracy that will soon turn her life upside down and make her the target of an assassination.

The tagline for The Net is: “NO DRIVER’S LICENSE, NO CREDIT CARDS, NO PASSPORT, NO ACCESS TO HER BANK ACCOUNTS IN A FOREIGN COUNTRY … SHE FINDS HER IDENTITY STOLEN.”

The Net is available to rent on Amazon and iTunes.

Our next episode will on the 1994 adaptation of the novel “Fatherland,” starring Rutger Hauer and Miranda Richardson. You can watch it on YouTube.

Connor Lynch produced this episode. Artwork by Rachel Eck.

And join the Unclear and Present Patreon! For just $5 a month, patrons get access to a bonus show on the films of the Cold War, and much, much more. Our latest episode of the patreon is on the 1982 Costa-Gavras film “Missing.”

Demolition man

June 10, 2023 by Jamelle Bouie

In this week’s episode of Unclear and Present Danger, Jamelle and John watch the satirical sci-fi action thriller “Demolition Man,” starring Sylvester Stallone as “John Spartan,” a Los Angeles city police officer who is cryogenically frozen as punishment for a failed rescue attempt; Wesley Snipes as “Simon Phoenix,” his primary antagonist; Sandra Bullock as a cop in the sterile, Brave New World-esque future society in which the film takes place; and Nigel Hawthorne as the leader of that future society.

In addition to their usual look at the headlines and news of the day, Jamelle and John discuss “Demolition Man” as one of the quintessentially conservative blockbusters of the 1990s, with a critique of liberalism as both permissive — and thus prone to disorder — and highly restrictive, and thus antagonistic to traditional ideas of manhood and masculinity. They also look at what the movie says about the role of violence in society, and try to place the film within the “end of history” context of the immediate post-Cold War period.

Episodes come out every two weeks, so we’ll see you then with an episode on “The Net,” starring Sandra Bullock.

“The Net” is available to rent on iTunes and Amazon.

Connor Lynch produced this episode. Artwork by Rachel Eck.

And join the Unclear and Present Patreon! For just $5 a month, patrons get access to a bonus show on the films of the Cold War, and much, much more. We are currently doing a mini-series on the films of the French-Greek director Costa-Gavras.

Judge Dredd

May 26, 2023 by Jamelle Bouie

In this week’s episode of Unclear and Present Danger, Jamelle and John are joined by David Sims of The Atlantic magazine and the Blank Check podcast to discuss the 1995 comic book adaptation “Judge Dredd.” Made in the era when Hollywood had no idea what to do with comics and science fiction properties, “Judge Dredd” is, in most respects, a failure. But within that failure is interesting glimpse into one of the major political preoccupations of the 1990s — crime. As such, the conversation touches on the crime discourse of the decade, as well as the culture of American policing. They also talk a bit about Sylvester Stallone.

It’s a good episode, even if you disagree with us about the strength of the movie itself. We realized that we skipped an important entry in Stallone’s 1990s output, so our next episode will be on the 1993 film “Demolition Man.” We’ll see you then.

Connor Lynch produced this episode. Artwork by Rachel Eck.

And join the Unclear and Present Patreon! For just $5 a month, patrons get access to a bonus show on the films of the Cold War, and much, much more. Our latest episode is on the 1970 political thriller “The Confession,” directed by Costa-Gavras.

True Lies

May 14, 2023 by Jamelle Bouie

In this week’s episode of Unclear and Present Danger, Jamelle and John watch “True Lies,” James Cameron’s tonally-incoherent (but hugely successful) spy thriller starring Arnold Schwarzenegger and Jamie Lee Curtis. They discuss the film as a straightforward take on the American crisis of masculinity in the 1990s, as a depiction of American beliefs and ideologies around sex and power, and as the beginning of a significant turn in the cultural depiction of America’s enemies. They also talk about American interventions into Haiti, welfare reform and James Cameron’s marriages.

You can watch “True Lies” on Apple TV Plus or Paramount Plus.

Episodes are released every two weeks, so join Jamelle and John later this month for an episode on the 1995 adaptation of “Judge Dredd,” starring Sylvester Stallone.

Connor Lynch produced this episode. Artwork by Rachel Eck.

And join the Unclear and Present Patreon! For just $5 a month, patrons get access to a bonus show on the films of the Cold War, and much, much more. The latest episode of the Patreon is on the 1969 political thriller “Z,” directed by Costa-Gavras.

Canadian Bacon

April 27, 2023 by Jamelle Bouie

This week on Unclear and Present Danger, Jamelle and John watched “Canadian Bacon,” a 1995 political comedy written, produced and directed by Michael Moore, which takes aim at American politics in the wake of the Cold War. It stars an ensemble cast of John Candy (in his last film role), Alan Alda as the president of the United States, Bill Nunn, Kevin J. O’Connor, Rhea Perlman, Kevin Pollak and Rip Torn.

In their conversation, Jamelle and John discuss Michael Moore’s work and impact (especially on their political awareness), post-Cold War demobilization, deindustrialization and the ways that race and class work together in American life. New episodes come out every two weeks, so join the podcast then when we discuss James Cameron’s “True Lies.”

Connor Lynch produced this episode. Artwork by Rachel Eck.

And join the Unclear and Present Patreon! For just $5 a month, patrons get access to a bonus show on the films of the Cold War, and much, much more.

Die Hard with a Vengeance

April 15, 2023 by Jamelle Bouie

On this week’s episode of Unclear and Present Danger, we watched “Die Hard with a Vengeance,” the 1995 threequel to the original 1988 “Die Hard.” Directed by John McTiernan, who helmed the first film, it was written by prolific Holllywood screenwriter Jonathan Hensleigh based on an original screenplay and stars Bruce Willis as recurring hero John McClane, Samuel L. Jackson as “Zeus,” and Jeremy Irons as Simon Gruber, brother of Hans.

In the episode, Jamelle and John discuss Rudy Giuliani’s New York, the racial and class politics of the film and how this movie seems to anticipate the imagery of the 9/11 era.

Connor Lynch produced this episode. Artwork by Rachel Eck.

And join the Unclear and Present Patreon! For just $5 a month, patrons get access to a bonus show on the films of the Cold War, and much, much more.

Our next episode is on the 1995 political satire “Canadian Bacon,” directed by Michael Moore and starring an ensemble cast of John Candy, Alan Alda, Bill Nunn and many others. You can find it to rent on iTunes and Amazon.

Outbreak

April 01, 2023 by Jamelle Bouie

On this week’s episode of Unclear and Present Danger, Jamelle and John discuss Wolfgang Petersen’s medical thriller slash action movie “Outbreak.” We spend the bulk of the episode discussing the experience of watching this movie having lived through a pandemic, as well as the pandemic fears of the 1990s that might have inspired this film. Unfortunately, a few technical difficulties meant the audio quality isn’t as high as it should be, but we did our best to compensate and we appreciate your patience.

Connor Lynch produced this episode. Artwork by Rachel Eck.

And join the Unclear and Present Patreon! For just $5 a month, patrons get access to a bonus show on the films of the Cold War, and much, much more. Our most recent episode of the Patreon is on Alan J. Pakula’s paranoia thriller “The Parallax View.”

On our next episode of Unclear and Present Danger, we cover “Die Hard: With a Vengeance.”

Drop Zone (feat. Soraya Roberts)

March 19, 2023 by Jamelle Bouie

This week, Jamelle and John are joined by Soraya Roberts of Defector and Pipe Wrench magazine to talk “Drop Zone,” a quintessentially 1990s action film starring Wesley Snipes and Gary Busey. They talk Snipes' career and his fall into “sovereign citizenship,” the 90s obsession with “extreme” sports, and race and Hollywood.

In our next episode, we’ll discuss the (ridiculous) disaster thriller “Outbreak,” directed by Wolfgang Petersen and starring Dustin Hoffman and Rene Russo. It’s available to rent or purchase on Amazon and iTunes.

Connor Lynch produced this episode. Artwork by Rachel Eck.

And join the Unclear and Present Patreon! For just $5 a month, patrons get access to a bonus show on the films of the Cold War, and much, much more. Our most recent episode is on the Clint Eastwood film “The Eiger Sanction,” and our next episode will be on the Alan J. Pakula paranoia thriller, “The Parallax View.”

Toys

March 05, 2023 by Jamelle Bouie

In this week’s episode of Unclear and Present Danger, Jamelle and John watch “Toys,” a largely-forgotten fantasy-comedy film from director Barry Levinson. Despite its myriad flaws, the boys have a productive conversation about the film’s obvious themes — the military-industrial complex and the rise of remote and drone warfare — and its less obvious themes, specifically the bourgeois vision of family capitalism and industrial harmony at the heart of the film.

“Toys” is virtually impossible to watch if you don’t have a physical disc, but there is a low-quality version available to stream here.

Connor Lynch produced this episode. Artwork by Rachel Eck.

And join the Unclear and Present Patreon! For just $5 a month, patrons get access to a bonus show on the films of the Cold War, and much, much more.

The Human Factor (PATREON PREVIEW)

February 18, 2023 by Jamelle Bouie

We are concluding our Graham Greene series with an obscure spy drama from director Otto Preminger, the 1979 film "The Human Factor." It is of a piece with "Tinker Tailor Soldier Spy" and to that point, Jamelle and John spend this episode discussing the connections between the two works and the similarities (and differences) between how Le Carre and Greene view betrayal and deception.

"The Human Factor" is pretty good — Preminger was a master — so we both recommend that you check it out. It's available to view for rent on iTunes and Amazon Prime.

To hear the full episode, subscribe to the Unclear and Present Patreon and get access to our show on the films (and television) of the Cold War, as well a monthly entry into a movie raffle, and whatever else we can think of.

Connor Lynch produced this episode. Artwork by Rachel Eck.

The Rocketeer

February 18, 2023 by Jamelle Bouie

In this week’s episode, Jamelle and John watch Disney’s “The Rocketeer,” a throwback action-adventure film starring Billy Campbell, Alan Arkin, Jennifer Connelly, Paul Sorvino and Timothy Dalton. They discuss the 1930s revival of the late 80s and early 90s, the real-life conspiracies that might have inspired the plot of “The Rocketeer,” and the political power of nostalgia for Americans on the left and the right.

Episodes come out every other Friday, so we’ll see you two weeks from now with the 1992 film “Toys”" directed by Barry Levinson and starring Robin Williams. “Toys”" is basically impossible to find, so don’t worry about watching this one!

Connor Lynch produced this episode. Artwork by Rachel Eck.

And join the Unclear and Present Patreon! For just $5 a month, patrons get access to a bonus show on the films of the Cold War, and much, much more.

Without Warning

February 03, 2023 by Jamelle Bouie

In this week’s episode, Jamelle and John discuss “Without Warning,” a made-for-television science fiction film from 1994, produced as if it were an actual breaking news event, with “reports” from on-the-ground correspondents from around the world. They discuss the inspiration for this “docudrama” genre as well as the general wave of “asteroid attack” films in the 1990s. They also talk the psychology behind the idea that a global disaster would bring humanity together (under American leadership, of course).

Connor Lynch produced this episode. Artwork by Rachel Eck.

And join the Unclear and Present Patreon! For just $5 a month, patrons get access to a bonus show on the films of the Cold War, and much, much more.

We’ll see you in two weeks with “The Rocketeer,” a science-fiction adventure film from 1991, directed by Joe Johnston and starring Billy Campbell and Jennifer Connelly. It’s available to rent on Amazon and iTunes and available on Disney Plus.

Surviving the Game (feat. Gillet Rosenblith)

January 21, 2023 by Jamelle Bouie

This week, Jamelle and John are joined by historian Gillet Rosenblith to discuss the 1994 action thriller “Surviving the Game,” a loose adaptation of “The Most Dangerous Game” and a glimpse into anxieties and fears regarding poverty, homelessness and urban decay in the 1990s. They also discuss other, similar films of the era, like John Woo’s “Hard Target,” and they discuss further what distinguishes the action movies of the 1990s from their predecessors in the 70s and 80s.

Connor Lynch produced this episode. Artwork by Rachel Eck.

And join the Unclear and Present Patreon! For just $5 a month, patrons get access to a bonus show on the films of the Cold War, and much, much more.

The Puppet Masters

January 08, 2023 by Jamelle Bouie

Happy New Year! In this week’s episode of Unclear and Present Danger, we watch “The Puppet Masters,” an adaptation of a 1951 Robert Heinlein novel that feels lost an aimless in the absence of the original Cold War context. Jamelle and John discuss, among other things, the “Body Snatcher” genre, science fiction as a vehicle for allegory, and the war on drugs.

Connor Lynch produced this episode. Artwork by Rachel Eck.

And join the Unclear and Present Patreon! For just $5 a month, patrons get access to a bonus show on the films of the Cold War, and much, much more.

Blown Away (feat. Clare Malone)

December 24, 2022 by Jamelle Bouie

What do you get when you mix Boston, bad accents and a lot of explosions? The 1994 thriller “Blown Away” starring Jeff Bridges and Tommy Lee Jones! Jamelle and John are joined by Clare Malone of The New Yorker to talk Irish-American identity, Irish nationalism, the racial politics of Boston and much, much more.

Connor Lynch produced this episode. Artwork by Rachel Eck.

And join the Unclear and Present Patreon! For just $5 a month, patrons get access to a bonus show on the films of the Cold War, and much, much more.

The Third Man (PATREON PREVIEW)

December 16, 2022 by Jamelle Bouie

Hello listeners! This on the Patreon week we continued our journey into the work of Graham Greene and Carol Reed with the 1949 British noir “The Third Man.” It suffices to say that this is one of the most famous and acclaimed movies of all time, so Jamelle and John had a lot to say about its production, its writing and its themes. They also spoke a great deal about Orson Welles, the politics of postwar Europe, existentialism, and the career of star Joseph Cotten.

Connor Lynch produced this episode. Artwork by Rachel Eck.

To hear the full episode, subscribe to the Unclear and Present Patreon and get access to our show on the films (and television) of the Cold War, as well special mailbag episodes, monthly entry into a movie raffle, and whatever else we can think of.

On Deadly Ground

December 09, 2022 by Jamelle Bouie

In this week’s episode, Jamelle and John scrape the bottom of the cinematic barrel with the 1994 environmentalist action flick, “On Deadly Ground,” directed by and starring Steven Seagall. It’s not a good movie, but they had a good conversation covering Seagall’s political trajectory, right-wing misogyny, and the psychological origins of authoritarian politics.

Connor Lynch produced this episode. Artwork by Rachel Eck.

And join the Unclear and Present Patreon! For just $5 a month, patrons get access to a bonus show on the films of the Cold War, and much, much more.

Links from the episode!

Our Man in Havana (PATREON PREVIEW)

December 01, 2022 by Jamelle Bouie

For this week’s Patreon episode, Jamelle and John cover the 1959 film “Our Man in Havana,” an adaptation of a 1958 Graham Greene novel by the same name. We talk Graham Greene, director Carol Reed, and Alec Guinness, the star, as well as esoteric topics like motivated reasoning, the nature of intelligence work, and the power and peril of propaganda. We also, as always, looked at the news for the day the film was released, December 30, 1959.

Connor Lynch produced this episode. Artwork by Rachel Eck.

The Pelican Brief (feat. Jay Willis)

November 24, 2022 by Jamelle Bouie

In this week’s episode of Unclear and Present Danger, Jamelle, John and special guest Jay Willis of Balls and Strikes discuss the 1993 adaptation of John Grisham’s “The Pelican Brief,” and ask whether anything about the movie’s plot actually makes any sense. They also discuss the early days of the conservative legal movement, the political hegemony of capital, and Stanley Tucci.

Connor Lynch produced this episode. Artwork by Rachel Eck.

And join the Unclear and Present Patreon! For just $5 a month, patrons get access to a bonus show on the films of the Cold War, and much, much more. Last week, we covered the 1979 BBC adaptation of “Tinker Tailor Soldier Spy.”

Links from the episode!

Tinker Tailor Soldier Spy (PATREON PREVIEW)

November 18, 2022 by Jamelle Bouie

We have another Patreon episode for you and this week, it’s a John favorite: the 1979 BBC adaptation of “Tinker Tailor Soldier Spy.” We go deep into the character of George Smiley, John le Carre’s critique of the British ruling class, and the idea of national “decadence.” Jamelle also spends a little time talking about the American constitutional system, so it’s basically an episode where everyone is on brand.

Connor Lynch produced this episode. Artwork by Rachel Eck.