new orleans, take one—cemeteries

Rather than try to walk you through each photo I took in New Orleans, I thought I would share them in batches organized by subject. Obviously, a trip to the city means time in cemeteries. But in our week visiting, we spent a lot  of time visiting cemetries and I shot at least three rolls of film just documenting the huge variety of tombs and memorials we saw. These, obviously, are the photos I thought were worth sharing, culled from a variety of different cemetries in the area. Leave a comment if you recognize a particular one, or if you’d like to purchase a print of a particular photo. To see each photo in its glorious full size, just click on it.

thinking through the lynching era →

I was in Alabama to visit and report on a new memorial to lynching victims. To read that story, just click on the title of this post. Here's an excerpt:

Racial hierarchy and inequality still exist today, but Jim Crow is gone and the public, socially sanctioned violence that defined the lynching era has largely disappeared. Which may lead some to ask why? Why dwell on this painful period of American history? Why fight to bring this unspeakable violence into the national consciousness? And why work to integrate it into public memory when lynching remains an incredibly fraught metaphor for racial conflict, with heavy symbolic baggage that weighs on any conversation around the subject?

The answer is straightforward. We live in a moment when racism—explicit and unapologetic—has returned to a prominent place in American politics, both endorsed by and propagated through the Oval Office. And in that environment, a memorial to racial terrorism—one which indicts perpetrators as much as it honors victims—is the kind of provocation that we need, a vital and powerful statement against our national tendency to willful amnesia.

I also took photos. A few of those are part of the essay, and you can view them at the link. This, I think, is the strongest of the batch.

i'm much more ambivalent

Leica M-D. Summicron-M 35mm f/2 ASPH. Edited in Lightroom.

alabama, take two

Ensley is a neighborhood of Birmingham, Alabama that—for its first few decades—was its own city and industrial site. At its most prosperous in the early 20th century, it's been in decline since the 1970s. These days, it's a little rough. But you can still see elements of its past glory. 

I was driving through at peak golden hour on a clear, beautiful day. Yes, these photos were edited in Lightroom and were boosted in tweaked, but 80 percent of what you see is straight out of the camera, the light was just that good. These next photos, in particular, are inspired by Fred Herzog, a mid-century Vancouver-based photographer who did a lot of his work at exactly this time of day, using color transparencies.

After about an hour, the light began to fade and I started to make my way home. On my way out, I saw these evocative structures. The first appears to be an abandoned school. The second are a set of abandoned town homes. From the back, they are covered in growth and have visible decay. But from the front, they almost look like they're lived in.

I should say, if I weren't committed to film and also had thousands of dollars to burn, I would totally own one of these digital Leicas and fancy lenses. Alas.

lambeth field

Fuji X100F + VSCO for iOS.

Alabama, take one

I was in Alabama for a few days covering the National Memorial for Peace and Justice and otherwise exploring a few parts of the state. In the interest of indulging my inner-Walker Evans and Fred Herzog, I devoted a good amount of time to black and white and color photography of older buildings, signs, and advertisements. 

Brighton, Alabama

For this post I want to focus on the black and white photography, which I shot using the Leica M-D I mentioned in a previous point. The M-D, you’ll remember, is a digital rangefinder which doesn’t have an LCD screen and only a few auto settings. Combined with the manual focus M-mount lenses and you have a digital camera that feels exactly like shooting a film Leica M. And that is more or less how I treated my photography on this trip, finding an average exposure and then bracketing on either side in the interest of getting it right “in camera.”

Brighton, Alabama

As with actual film, a good exposure is just the starting point for the real work of creating a usable file for printing and display. All the photos you see here were processed in Lightroom, using VSCO as a starting point and adjusted to ensure a full range of tones. The remaining photos in this post were taken in Fairfield, Alabama, which is part of the Birmingham metro area.

new orleans, first pass

I still haven’t developed my film from New Orleans, but like last week, I do have a few digital photos to share. 

Any trip to New Orleans eventually involves a stop in the French Quarter, and for whatever reason our days almost always ended with us walking through it. This first photo is from Easter Sunday, our first full day in the city. We missed the morning Easter parades on account of visiting cemeteries, but we were able to catch the last parade of the day, the Gay Easter Parade. There’s something both very modern and very pre-modern about Easter revelry. The vibe of the celebration is a throwback to quasi-pagan Easter celebrations of an earlier Christianity, but the inclusivity is very 21st century. Anyway. I like this picture.

Next is from a random moment in the quarter. The light was fantastic and it was just luck that some people walked through the scene just as I took a snap.

Last is from our last full day in New Orleans. I’m a sucker for people with insane political beliefs, and took a few photos of this dude as he evangelized for his Alex Jones-ish views.

For those of you who care about gear, these were taken with a Fuji X100F and processed in Lightroom.

snapshots

I’ve been walking around with an Olympus XA2 for the last few weeks, snapping with abandon at practically everything I see. Most of those photos weren’t...good. But a few are worth posting and those are the ones I will share! 

Newcomb Hall. University of Virginia

Prom night. Charlottesville Downtown Mall.

Danny’s Quality Upholstry. Charlottesville.

The film, if you are curious, is expired Kodak BW400CN, rated at 200 to make up for age and ensure adequate shadow detail.

leica m-d, take one

I will never own a digital Leica rangefinder. I have too much going on in my life to justify spending thousands of dollars on a camera body for my ​hobby​. But renting is a different question. I’m on a work trip where photography will play a big part, and decided to rent a digital Leica (and lens) for the sake of giving it a spin.

​I haven’t gone on this trip yet, but an afternoon at a Revolutionary War re-enactment in ​Chester, Virginia gave me a chance to put this camera through the paces. (That said, I shot most of my photos on a Crown Graphic, stay tuned for those pictures.)

Militia re-ennactors, after performing a firing demonstration.

​Now, even if I’m only renting, I’m still interested in saving a little money, and so I opted for one of the more ridiculous options in the Leitz line-up: the Leica M-D. Internally, it is an upgrade from the M9 and similar to (if not the same as) the Typ 262. And it has one major gimmick: There is no LCD screen.

​That’s right, this digital camera is an exercise in extreme skeuomorphism. No LCD means no JPEG processing—it’s RAW only. It means no white balance adjustments. It means no auto-ISO (you set it using a dial on the back). The whole experience is meant to emulate film. You set the shutter speed, you set the aperture, and the in-camera meter will let you know if you’re on target. The only other information available is a counter for how many shots you have left on your memory card.

Other than that quirk, it is a standard Leica rangefinder, complete with manual focusing lenses. It feels solid and intuitive. I own two M-mount lenses but for this excursion, I rented a 35mm Summicron-M f/2,m ASPH, not the current version, but the one prior. It’s Leica glass, and—no surprise—it’s fantastic.

A goat.

​What’s crazy is that, with no way to review your photos, the camera does force you to be in the moment, which replicates the feeling of shooting film. For me, at least, I practically forgot that I wasn’t actually using my M5, which is an analog camera 

​The actual experience of the re-enactment was fun, although I’ll eventually have to write about my many experiences as often the only black person at these kinds of historical sites. But let’s save that for when I have my sheet film developed. Until then, enjoy the rest of these photos and let me know what you think.

station north

Whenever I go to Baltimore, I always mean to photograph some of the street art that is visible from the train station, in the Station North neighborhood. I finally had a chance to do this last month, when I had an hour in town to do a little documentation. Here are the results, let me know what you think.

 “Whoever Died From a Rough Ride—The Whole Damn System”

“In Memory of Kiki” 

A tiger and a ball player.

America upside down.